Stacks Image 149


Some Clarity of Vision

Some Clarity of Vision was a solo exhibition of new and recent painting and drawing following a two-month residency at Gallery MOMO in Johannesburg, South Africa in 2015.

From the Gallery MOMO press release:

“Black goddesses, heroines, queens and saints have been the inspiration for many of Kimathi Donkor's paintings. And, after researching how these subjects have been depicted in literature and art, he invited contemporary, black women from Africa and its Diasporas to model for scenes that re-imagine the adventures, encounters and spirit of their celebrated forebears.”

Work created during the residency has been exhibited internationally, including at at the Goethe Institute in Johannesburg, the Diaspora Pavilion for the 57th Venice Biennale in 2017.

or Moses had married an Ethiopian woman (Numbers 12:1), (Oil and Acrylic on canvas, 165 x 210 cm, 2015)
Stacks Image 161
Stacks Image 163
Stacks Image 167
When Shall We 3? Scenes From The Life Of Njinga Mbandi (2015, oils and acrylic on canvas, 150 x 120cm — private collection)
Kimathi Donkor, Gallery MOMO residency, 2015. Photo by Zanele Mashinini
Installation view of Kimathi Donkor: Some Clarity of Vision at Gallery MOMO, 2015. Photo by Musa Rapuleng
Installation view of Kimathi Donkor: Some Clarity of Vision at Gallery MOMO, 2015. Video still by K. Donkor
Installation view of Kimathi Donkor: Some Clarity of Vision at Gallery MOMO, 2015. Photo by K. Donkor
Installation view of Kimathi Donkor: Some Clarity of Vision at Gallery MOMO, 2015. Photo by Musa Rapuleng
Installation view of Kimathi Donkor: Some Clarity of Vision at Gallery MOMO, 2015. Photo Courtesy Gallery MOMO
Installation photo of For Moses Had Married An Ethiopian Woman—Numbers 12:1 at the Wolverhampton Art Gallery. Photo, K Donkor, 2018


For more about these artworks:

Art Africa interview:
You Tube

Mary Corrigall
Setting up New Relationships

Mary Corrigall
Princess Politics - Women on top: Subverting subordination